Sunday, February 28, 2010

Fixing Frank


“If there were a pill to make you straight, would you..?” Has anyone come across this question? Among us, one may find a person who somehow, at some point of time has had to deal with this doubt, whether it is our introspective self or a third person who perceives homosexuality a choice. image011

So, “Would you?” The movie, Fixing Frank, deals with the same question of identity crisis along with the contemporary hullabaloo on the adequacy (or rather the lack of it) of so-called conversion therapy.

This movie has three characters, Frank, a freelance journalist, his therapist husband Jonathan, and Dr Apsey. Dr Apsey is seemingly the ‘villain’, a psychologist whose notion of homosexuality is that it is a choice. He has a yellow pill that he claims has the power to conform a sad homosexual into a happy satisfied heterosexual.

As movie reels on, audience not only comes across a session of plausible arguments given by Dr Apsey but also the effect building upon Frank’s mind and heart. Though these logics actually do ample harm to the lives of Frank and Jonathan, the main cause of their failing relationship happens to be something else. The story has many twists and turns. All the three characters are strong and have equal exposure throughout the movie; still Jonathan’s character could have been extended. Actors have done great work, especially Dan Butler (Dr. Apsey). Butler, openly gay, has done brilliant work in the role of homophobic psychologist Dr. Apsey. The cinematography is a bit poor in some scenes, one may feel, the movie is absorbing not only because it was an adaptation of a staged play but also the theme and the way the scriptwriter has tackled the issue of conversion therapy.

This is a must watch for our community. Seldom are movies made on such themes and seldom we get to watch a good cinema like this.

(Written for Pink Pages)

Another Country


The film opens with a scene in contemporary Moscow where a wrinkle faced old man happens to be interviewed by an American lady reporter. As their conversation proceeds with the sips of scotch, the old man reminisces his life of his school days as “you have no idea what life in England in the 1930s was like.image012 Treason and loyalty, they’re all relative, you know. Treason to what? Loyalty to whom?” And the next scene is of an English public school, back in the days of the early 1930s, where students are coming to attend morning prayers.

Another Country is about a British born spy Guy Bennett who worked for Soviet Union. How this person becomes a spy against his own country instead becoming a diplomat for his country, is quite a tale that is spun in the script. Guy Bennett is a flamboyant, spoiled brat who has certainly great amount of inclination towards his own sex; he realizes that he is homosexual while seeking a guy named Harcourt. He confesses his love for Harcourt to his best friend Tommy Judd. Tommy is a die-hard Marxist, and has such firm faith in communism that he refuses to accept any reward such as becoming Prefect under the ‘bourgeoisie’ system of English public school. Seeing the prevalent hypocrisy about homosexuality within his schoolmates, Guy at last shows rebellion at the end of the movie and Tommy agrees with him – All problems solved for life. No Commies, No Queers.

This classic movie, made in 1984 in the era when homosexuals in England were still demanding their right to live freely, had created waves. With its astounding cinematography and powerful script, Another Country certainly etches onto the viewer’s mind. Actors, Rupert Everett (Guy Bennett) and Colin Firth (Tommy Judd) have given excellent performances in their debut film. The movie is full of some memorable lines, for instance, Guy Bennett (Rupert Everett) while watching Harcourt from a distance says to himself “There’s a little hollow at the base of his throat which makes me want to pour honey all over him, and lick it off again.” And some memorable scenes too, for instance that of Harcourt’s head lying upon Guy’s chest on a still boat in the middle of night. One can also appreciate the mellifluous soundtrack playing along various parts of the movie. The film is uniquely engrossing in many ways.

(Written for Pink Pages)

Tuesday, February 23, 2010

Just a question of love (French)


An appreciable compilations of plethora of questions of life and desires, homosexuality and coming-out behind a single question of love.

Directed by French director Christian Faure, Just a question of love very well managed to bind me to discover the beauty of hanging questions till the last scene. The story establishes a love story of two gay men, Cedric (Stéphan Guérin-Tillié) and Laurent (Cyrille Thouvenin), one of whom is proudly out while the other still in closet. Based on the theme: Are we really love our children as they say?, the screenplay and script very well revolves around the basic idea, putting light on the difficulties faced by a gay child (Laurent) belonging to a conservative family, on the other hand depicting the support of an understanding mom of a gay son(Cedric). I really appreciate the work of entire cast, especially, Emma, Cedric's mom (Eva Darlan), and the off screen crew.

Laurent, a 23-year old college student, masks his gayness from his family by living with his best friend, Carole. During his agricultural research under Cedric, Laurent falls for him. He wants to live openly like Cedric, but certain fears halt him in doing so, whereas Cedric cares for him but does not like him to live two lives. He introduces Laurent to his mom, who accepts his son as well as his boy friend. The unwillingness of Laurent to come out to his family creates distance between them. Hence begins intense portrayal of the test of the two lovers' relations as well as the parents-son's relation.

Overall, the movie is worth watching!


(Written for Pink Pages)
( Now a part of Gaylaxy also)

The History Boys


The History Boys, a philosophical comedy-drama, is adapted by Alan Bennett from his own play. It was directed by Nicholas Hytner, director of the original production of The History Boys at the Royal National Theatre in London, and features the original cast of the play.

The portrayal of many philosophies from different perspectives is enclosed in a plot with a touch of pink. In 1983, 6 grammar school boys, Crowther, Posner, Dakin, Timms, Akthar, Lockwood, Scripps, and Rudge, obtaining highest school scores, starts their preparation to enter Oxford or Cambridge. The General Studies teacher, known by staff and boys alike by "Hector" (Richard Griffiths), is their favorite, and works alongside their deputy head and regular History teacher, Mrs. Lintott (Frances de la Tour). The headmaster, Felix (Clive Merrison), hires young contract teacher named Irwin (Stephen Campbell Moore) to assist Hector and Mrs Lintott. Irwin's teaching methodology was extremely different from the regular teachers. Discovering Hector's homosexuality and due to certain other reasons, the headmaster insists him retire early. The story also reflects the confusions and desires of gay student (Dakin).The journey from high school to Oxfords/ Cambridge through varied tracks build a highly convincing screenplay.

History boys received positive acclaim from critics. The National Board of Review of Motion Pictures named The History Boys one of the Top Ten Films in its 2006 awards. Griffiths and de la Tour received BAFTA nominations for Best Actor and Best Supporting Actress, respectively.

The beautiful exchange of classic dialogues deserves a onetime watch!


(Written for Pink Pages)

Friday, February 5, 2010

The Line of Beauty

" When he thought of Leo after not thinking of him for a minute or two he heard a big orchestral sound in his head. He saw Leo lying on his coat under a bush, his shirt and jersey pushed up under his armpits, his jeans and pants round his knees, small dead leaves sticking to his thighs - and he heard the astonishing chord. It was high and low at once, an abysmal pizzicato, a pounce of the darkest brass, and above it a hair raising sheen of strings. It seemed to knock him down and fling him up all in one unresisted gesture. He couldn't repeat it immediately, but after a while he would see Leo rising to kiss him, and the love-chord would shiver his skin again "

Wednesday, February 3, 2010

Maurice

" -- and he held out his hand. Maurice took it, and they knew at that moment the greatest triumph ordinary man can win. Physical love means reaction, being panic in essence, and Maurice saw now how natural it was that their primitive abandonment at Penge should have led to peril. They know too little about each other – and too much. Hence fear. Hence cruelty. And he rejoiced because he had understood Alec’s infamy through his own – glimpsing, not for the first time, the genius who hides in man’s tormented soul. Not as a hero, but as a comrade, had he stood up to the bluster, and found childishness behind it, and behind something else.”


Maurice

An excerpt form book Maurice -


" they played for the sake of each other and of their fragile relationship -- if one fell the other would follow. they intended no harm to the world, but so long as it attacked they must punish, they must stand wary, then hit with full strength, they must show that when two are gathered together majorities shall not triumph. "
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